
But neither is it part of the theatre and for this reason a possible explanation lies within certain successful surrealistic poems.

This kind of magic is very difficult to explain, mainly because it is not inherently bound up in the cinema. The first film with the Marx Brothers that we saw over here was Animal Crackers which, although it had been universally acclaimed as being something out of the ordinary, seemed to me to be a device that used the screen to generate firstly a special form of magic which is unattainable in conventional relationships between words and images, and secondly, albeit in a characterised form, a certain level of poetry which is detached from the spirit and which could be described as surrealism. Artaud on the Marx Brothers By Antonin Artaud "Bliss is a tent filled with Marx Brothers one-liners". CS1 maint: archived copy as title ( link)

In addition, with a cast of only nine, several of the roles were doubled up by actors. The revival starred Joey Slotnick (Spaulding), Molly Brennan (the Professor), Jonathan Brody (Emanuel Ravelli), and Ora Jones (Mrs. Īnimal Crackers was produced to open the 2009–2010 season at the Goodman Theatre in Chicago, opening September 18, 2009, and closing on November 1. Starring were Ben Keaton (Spaulding), Toby Sedgwick (the Professor), Joseph Alessi (Emanuel Ravelli), and Jean Challis (Mrs Rittenhouse). It was taken on tour, and played the Sculpture Court of The Barbican Centre in a circus tent in June 1998 after further touring, it transferred to the West End at the Lyric Theatre, opening on March 16, 1999, and closing on (the run brought to an early close, having been booking until September ). It was then revived at that theatre's Swan Street Studio from 12 March to the 14th April 1998. by the Manchester Royal Exchange Theatre, where it was first mounted as part of the 1995–96 season, running from the 21st of December until the 3rd February.
#MARX BROTHERS ANIMAL CRACKERS PROFESSIONAL#
It was also revived in 1992 by Goodspeed Musicals, Connecticut.Ī production in 1993 at the Paper Mill Playhouse, New Jersey, was notable for being Kristin Chenoweth's first professional role. The musical was revived in 1982 at the Arena Stage, Washington, D.C., directed by Douglas C. *Reprised the role in the film adaptation. ††† added for the Goodman production Original 1928-9 Broadway cast Character

‡ added for Arena Stage and Paper Mill productions

